Wednesday, August 26, 2020

Compare and contrast Code of Hammurabi and Tao Te Ching Essay

Look into Code of Hammurabi and Tao Te Ching - Essay Example Once more, he pushed for self-authority in that he thought about one as having genuine force in acing himself. He was straightforward to condemn those pioneer with high inner selves yet rather loved crafted by pioneers who propelled individuals to understand their ability and work to make progress. He likewise had a counsel to the individuals who surrender so effectively when circumstances become difficult. He sees the explanation and significance of tirelessness in that by joining the citation on the long excursion beginning by a solitary step. From my examination, a basic message can be gotten from Tao’s works. Right off the bat, the scholar normally came out to introduce a contemplated source in his cases. Once in a while it isn't generally what that source is, in any case, it isn't prudent to assume that he composed carefully from his own view or inclination. Tao’s contemplations were definitively upheld and complicatedly connected. I think this is one reason with regards to why his philosophical vision has been so fruitful. Tao Te Ching was firmly adds to today’s moral difficult situation, he gives arrangements just as causing such difficulties. As indicated by Tao Te Ching, people need to all carry on with a fair-minded life. Notwithstanding the way that Tao and instructs about people living in agreement, he doesn't uncover the punishment, and a solid base of right and wrong. He enlightens that there really no transgression. This depicts how Tao’s refrains came up short on the ethical sense henceforth he doesn't give a premise to human to lay their lives on. Tao edifies us on satisfying ourselves as opposed to looking on to others for us to discover satisfaction. In contrast with Hammurabi who was a pioneer of the Babylonians, he eagerly comprehended the significance of equity. Also, with an end goal to understand his objective, he required a solitary aggregate arrangement of rules for the entirety of the distinctive kind individuals he overwhelmed. Subsequently, he sent legitimate

Saturday, August 22, 2020

William Burroughs’s Fiction Essay Example for Free

William Burroughs’s Fiction Essay This paper will contend that William Burroughs’s fiction is aimed at undermining and deconstructing the prevailing social request and standard shows and social practices. In such books as The Western Lands (1987), The Soft Machine (1961), The Ticket that Exploded (1962) or The Nova Express (1964) the writer builds undeniable scholarly bandits †criminals, conmen, and so forth †so as to encapsulate the compelling and ill-conceived manners by which thoughts, feelings or the whole reality can be forced on the segregated other. In this manner, William Burroughs’ books likewise offer an impression of American industrialist society and its strange force relations. This topic will be researched in the novel considering Guy Debord’s The Society of the Spectacle which examines the specular character of the capital society and the holes among the real world and portrayal. In his article on Burroughs, Frederick M. Dolan contends that  in the writer’s books, all the maverick figures â€Å"control others by acing the craft of creating striking and persuading portrayals, misusing the naã ¯ve, mystical inclination to accept that when language shows up generally important, it has on the grounds that it has set up a referential relationship to the world† (Dolan, p. 536). This is definitely what the â€Å"society of the spectacle† is endeavoring to accomplish by superimposing the demonstration of entrepreneur request on ordinary reality. Burroughs was additionally keen on indicating the twisting intensity of language and the manners by which reality can be controlled along these lines. From this point of view, Jacques Derrida’s book, Of Grammatology, will be especially helpful in the examination of Burroughs’s language treatment and of the manners by which the writer’s conscious foregrounding of the holes among signifier and meant sabotage the entrepreneur social request and imbued thought-components. Burroughs impugns contemporary man as machine, as aloof collector of belief system. Works Consulted: Burroughs, William S. The ticket that detonated. Forest Press, 1987. Dolan, Frederick M.  â€Å"The Poetics of Postmodern Subversion: The Politics of Writing in William S. Burroughss The Western Lands†, pp. 534-551. Contemporary Literature  © 1991 University of Wisconsin Press. Debord, Guy. The Society of the Spectacle. New York: Zone Books, 1994. Derrida, Jacques: Of Grammatology. Johns Hopkins University Press, 1998. Harris, (Oliver C. G.). William Burroughs and the mystery of interest.  Southern Illinois University Press, c2003. Lee, Witness. Word infection : the William S. Burroughs peruser. Forest Press, 1998. - . Nova express. Forest Press, 1965. - . The delicate machine ; Nova express ; The wild young men : three books. Forest Press, 1988. Lydenberg, Robin. Word societies : radical hypothesis and practice in William S. Burroughs fiction. College of Illinois Press, 1987.Johns Hopkins University Press, 1998 New York : Zone Books, 1994. New York : Zone Books, 1994. New York : Zone Books, 1994. Morgan, Ted. Scholarly fugitive : the life and times of William S. Burroughs. H. Holt, 1988. Pepper, Andrew. â€Å"State Power Matters: Power, the State, and Political Struggle in the Post-War American Novel†. Printed Practice, vol. 19, no. 4, pp. 467-91, December 2005. Philips, James. â€Å"Life in Space: William Burroughs and the Limits of the Society of Control†. Writing and Esthetics: The Journal of the Sydney Society of Literature and Esthetics, vol. 16, no. 1, pp. 95-112, June 2006. Schneiderman, Davis. Retaking the universe : William S. Burroughs in the period of globalization. Pluto Press, 2004. Sobieszek, Robert A. Ports of passage : William S. Burroughs and expressions of the human experience. Los Angeles County Museum of Art ; 1996.

Friday, August 21, 2020

Interview Emma Ríos on Craft, I.D., and Island

Interview Emma Ríos on Craft, I.D., and Island Emma Ríos works in dream-statesthe Spanish artists flowing, manga-influenced art is recognizable from a mile away on cerebral books like the mythological Western  Pretty Deadly  and the watercolor fantasy  Mirror. But when shes not drawing or writing her own series, Ríos puts together  Island magazine with Brandon Graham, an industry-defying monthly anthology of comics by indie comic artists from all walks of life with a science fiction bent. Not content with simply editing the series, Ríos also contributed her own story to the magazine:  I.D., a two-part hard sci-fi tale about three people  seeking brain transplants. The story is about to  get  released  in a  handsome trade paperback collection, so we got the chance to ask her a few questions about the book ahead of its June 22 release. Image courtesy of Emma Ríos Jake Shapiro:  Lets start at the beginning. I.D. is your first major project as both artist and writerhow has the transition been from artist to writer/artist, especially in your second language? Emma Ríos: I used to do small press and write my own stories here in Spain, so writing again feels nice and very familiar. But I also take it too damn seriously, questioning myself every line, and normally becomes exhausting. Collaborating with people, having deadlines and sharing responsibilities are rather good for health in comparison. About writing in a second language, well, I guess I’m getting more and more used to it. That said, it’s still difficult and definitely takes more time. In general I become overly self-conscious about my limitations in terms of being nuanced, catching the right tone or nailing expressions, and wouldnt dare to submit anything to print before revising it a thousand times, and double-checking it with a native English speaking person. JS: Island is such a huge project for you as both a creator and curatorâ€"how did you decide I.D. was the story you wanted to tell with your first comic in it? ER: Working with Brandon immediately suggests me doing sci-fi because it’s fun and we both love the genre. For I.D. I chose a dystopia because I wanted to do something rather personalâ€"to develop the characters from withinâ€"and having an environment that could resemble the real world was going to be more direct in order to look for instant reflections. By something personal I mean that on one hand I had a selfish need to feed my ego as a creator at that moment, on the other, an embarrassing urge to be honest and show how I question myself about things that worry me. You know, the classic need of exhibitionism and the desire of hiding under the blanket, vanishing and forgetting about the world. JS: You consulted neurologist Miguel Alberte Woodward to make your story as realistic as possible, and he even wrote an essay  on the real-world prospects of brain transplants that appears at the end of I.D.  How did your collaboration with him  come about? ER: Working with Miguel was amazing. I always wanted to do something close to hard sci-fi because it’s frightening, and the coolest, but obviously I don ´t have the knowledge, neither the confidence, to make assertions, and internet is never enough for serious research. So, I remember asking on Facebook, looking for a neurologist who enjoys comics, and a very close friend whose wife is a doctor introduced me to Miguel, who to my surprise, took all my sloppy speculations seriously and got onboard the project interested and rather excited. I think I.D. started in a weird conversation I had with a couple of friends, a few years ago, about changing to another container and still  being yourself. It was so clear in my head but one of themâ€"who actually was very skeptical and also pretty much into scientific divulgationâ€"was very hesitant due to the death of the original body, a reaction that totally caught me by surprise. JS: Its interesting to think about the emotional connection we have to our bodies even when our consciousness is removed from it.  North American comics can feel constrained by the monthly 32-page issue grind, but Island gives you the opportunity to create stories as long or short as you want. Did you always envision I.D. as a two-part, 80-page story? ER: Maybe not exactly, but I.D. was definitely built under the idea of being a tale from the beginning: something short that could actually finish and be considered a whole. I never intended to develop or create a different world like what we’re doing in Mirror or Pretty Deadly for example, in my head I.D. should work more in a sense of a concept; an attempt to make people think a bit about those questions I wanted to ask myself by drawing them on the pages. In general I work a lot with ellipses to focus on what’s necessary without showing every minute in the lives of the characters, and for that I can ´t improvise. Having decided a limited number of pages myself allowed me to have more control and to be more accurate choosing the information I wanted to show, and how to play with the rhythm of reading selfishly experimenting things: from talking heads, to frenetic action, to overwhelming scientific explanations, to extreme decompression to show feelings towards the end. It was very fun. JS: Thats been a constant part of your layouts through all your work: your distinctive paneling style with lots of in-set panels and close-ups of body parts, plus all your dreamlike spreads with the panels flowing into each other. Could you talk a bit about the layouts for I.D., and specifically that opening sequence with all the circular panels? ER: When designing I.D. my obsession was trying to explain everything as much as possible, as fast as possible, and with as few words and pages as possible. Even if the story evolves through a lot of noise, most of the conversational momentsâ€"specially the longer onesâ€"are rather irrelevant in terms of what really matters. The heavy dialogue focuses on political background, shows social common prejudices to look for an empathetic response, or explains the crazy medical process behind the transplants looking to make you feel as overwhelmed as the characters are; and even if it is important for building a particular atmosphere, the only thing you truly gain from it is decoration. When I drew this first page I wasn ´t truly aware of how important it was going to be for the narrative later. But now that I see it from some distance I think it was definitely a settlement, a decision of how the characters were going to communicate for real in the story, and a tip on how they should be read: by paying attention to their eyes and hands. JS: Despite the wraparound cover art and the gorgeous splash pages, I.D. doesnt feature any two-page spreads at all! I love that bold choice to keep the layouts intimate. ER: I really wanted to play with the rhythm in I.D. My intention was trying to overwhelm a bit at the beginning with the violence and the overdose of info here and thereâ€"especially during the scientific explanationsâ€"and then decompress like crazy towards the end. I still like how those sleeping splashes workâ€"right after the tense discussion and its absurd resolution. The mood had to change a lot in that sequence and my inspiration for those two pages in particular was the ending of Satoshi Kon’s Paranoia Agent. JS: Could you talk a bit about your lettering? On both this book and Mirror, youve chosen some unconventional fonts for the dialogue, with distinctive tall, narrow letters for I.D. ER: I’d always prefer hand lettering to any mechanical font. My problem is that I tend to edit dialogue a lot until the very moment the book goes to print. So with the font in I.D. I was looking for one that could be close to the one I use when I do hand lettering on my own, and also one that I felt could fit with the tone I wanted for the story. The font in Mirror was chosen by Hwei, and it looks close, and has a lot to do with the kind of lettering she uses for her webcomics. JS: Lets switch gears to Island, the magazine this story comes from.  Through Island, youve exposed North American readers to European artists like Roque Romero, Gael Bertrand, and José Domingo. Especially now that I.D. is done and Pretty Deadlys second story arc is wrapping up, what would you like to do next with Island? ER: I’m still working on Pretty Deadly as it’s going to be 4 and a half arcs, and also on Mirror. Mirror’s first arc is also about to close but our plan is to return in November, and besides writing I’m also drawing the first two issues of the second arc myself, which is going to be longer than the first arc, or so we hope. So, I’m afraid my plate is still rather full. Since the magazine had to get to 72 pages to survive, it has been more difficult to include articles but I hope we can have more prose, illustration and design in the future, not necessarily only connected to comics. I think I’d be interested in building the magazine as multidisciplinary as possible, as we first planned. Emma Ríos wraparound cover for Island #2, where I.D. was originally serialized. JS: What artists would you like to see in the magazine that we havent seen yet? Are you going to do another Island story? I think Island has a lot to do with how Brandon and I developed our careers. In my case, I have always been in some kind of no man’s land between mainstream and independent comics, a very weird barrier we’d like to see disappear. Having creators like Michael DeForge, Dilraj Mann, José Domingo or Roque Romero published by Image is truly thrilling and I hope we can include more work like that. Also, we have huge plans to publish some amazing Japanese creators there too, and maybe having the magazine flip around. I’d like to show more of the Spanish scene because I think we are living in an amazing time here in terms of creation, Luis Yang and Ana Galvañ are already working on stuff that will be included soon. About me, I have plans to do another solo story but I doubt I’d be able to start on it for another year and a half. If the magazine is still healthy by then I’d love to publish it there first, why not? And I’d love to prepare short stories or illustrations to include too, between pages of Mirror and Pretty Deadly, as soon as I organize my schedule better. JS: I had never thought about that connection between you and Brandon beforeboth of you have very strange career paths and you both fall somewhere in between mainstream and indie comics. And you guys have been hinting at that manga issue for a while! JS: Final question: weve debated this for months at my comic shop. What do you think it will take to get Islands sales to a point where it can sustain itself in the long term? Its hands-down my favorite thing happening in comics right now, and Id love to see all the strange things you can do with the magazine for years to come. I just hope it can sell well enough to get to that point. ER: If only I could have the answer… This market always feels very difficult to predict for me, or at least, I’m learning very slowly. I wish I could have more keys, clues, magic… to make my booksâ€"or in general the books I loveâ€"do better. But for now we all seem to depend so much on monthly single issues and preordering, which, on one hand kills creators and teamwork, and on the other makes things extremely difficult when it comes to attempting to do long term projects. Having weird little things like Island holding up after 9 issues makes me feel truly hopeful, though. The reasons we made it this far is because Image has been very supportive, as well as our readers and retailers like you, that help spread the word. The most important thing for us is the creators, that they can do what they want and get paid for it. We try to save money on paper, format, etc… and also the releasing of trades will hopefully help balance things out, but the moment in which we lose any of these factors it’ll be the end of the magazine. In any case none of the people involved will let this island go without a fight ?? Thanks so much to Emma Ríos for doing this interview, and to Image Comics for sending us a review copy of  I.D., which will be available everywhere June 22. Sign up to The Stack to receive  Book Riot Comic's best posts, picked for you. Thank you for signing up! Keep an eye on your inbox.

Sunday, May 24, 2020

Summerise the Main Development of a Child from Age Range...

1. Summarise the main development of a child from the age range 0-2 years, 3-5 years and 5-8 years. Development refers to the process of learning new skills and abilities, and acquiring emotional maturity. All development changes are the result of both genetic and environmental factors. Genetic factors and diet are in the main responsible for growth, whereas environmental factors such as quality of the diet and disease are responsible for the emotional growth. ‘Child development’ is the term given to the growth of babies through childhood. Although all children will go through the same stages of development, they will do so at varying speeds. There are five key stages of development that take place during the first eight years of a†¦show more content†¦5-8 Years: Between the ages of 5-8 they will keep improving their skills. By the time a child has reached their eighth birthday, they should have the confidence to jump from heights, run distances and ride a bike without stabilisers. Intellectual Development: 0-2 years: From the birth to three months babies have the ability to focus on objects up to few inches away from themselves. Up to six months they will begin to develop their co-ordination, enjoy bright colours and shiny things. Between the age of six months to nine month they will be able to play simple games such as peek a boo. At nine months often a child laughs when he sees others laughing or cries when others cry. At their first birthday their intellectual development has increased. At the age of two children enjoy ‘pretend’ play and act out fantasies. 3-5 years: At three years the pretend play will continue and will be more complex. They will be able to control their pencils and brushes more accurately. They may even be able to use scissors to cut papers. At four years they will be able to understand the concept of past and future. Their drawings will be more recognisable. They will be able to build towers with blocks. At the age of five years many children will be able to count and recognise simple words. The concept of numeracy and literacy will begin to take hold. 5-8 years: Between the ages of 5-8 the children will improve on their reading skills and will be

Wednesday, May 13, 2020

Kill A Mockingbird By Harper Lee - 2242 Words

In the riveting masterpiece of a novel To Kill A Mockingbird, written by Harper Lee, the small town of Maycomb is awakened by the events that occur in the juvenile years of the main character who goes by Scout. Formally known as Jean Louise Finch, Scout leads readers through roughly a third of a decade in the sleepy old town in which she inhabits. Through this time frame, there is one event that reveals the true personalities of the townspeople. The event that caused such a powerful awakening in the town is the trial of a man named Tom Robinson. The reason for the improvement of the existence of the trial is due to the fact that Tom Robinson is a black man who is accused of raping a young white girl. The steps taken to resolve the case†¦show more content†¦Early on in the novel, readers take note of Scout’s instinct to place herself in fights for a magnitude of reasons, the main one being the need to defend her family in the only way she subconsciously knows. In the n ovel, Scout fights with her cousin Francis for calling Atticus names. She believes it is her duty to stand up for her father. â€Å"‘I ain’t very sure what it means, but the way Francis said it- tell you one thing right now, Uncle Jack, I’ll be- I swear before God if I’ll sit there and let him say somethin’ about Atticus’†(pg 86). This instinct reminds me of myself, I may not have resorted to fighting with my fists, but I certainly am protective over my family members. A reason for my safeguarding is my sister. When she was younger, she was diagnosed with Celiac Disease, this is a condition in which a person cannot consume gluten, it causes pain and inflammation of the small intestine. At the time of her diagnosing, the disease was rare before and a large number of items were not gluten free, and the ones that were happened to be vulgar in taste. Later on she was diagnosed with Crohn s Disease, this is a condition in which the lining o f a person’s digestive tract can be irritated and creates great discomfort. These diseases did have an impact on my sister, and due to her fragile state of mind and body, I wanted to help her in any way that I could. I would cook for her and make sure when we went out or were at a friend’s house that they did not cross

Wednesday, May 6, 2020

Confidential Info on Science and Religion Essay Topics Only the Pros Know About

Confidential Info on Science and Religion Essay Topics Only the Pros Know About Science and Religion Essay Topics - Dead or Alive? Though your entire concentration isn't there, it doesn't alter the simple fact that you've got a paper that you must complete and you have to do so by the deadline that's been set. As you have observed, different varieties of essay topics have various techniques to approach them, and in addition, they have their own benefits. The multiple topics could possibly be found, for instance, in the dissertation abstracts international database. Therefore, a simple way to select one of the numerous theology essay topics is to concentrate on your own opinion about religion and explore it from that point. And we know of a number of other examples. The illustration of an outline is given below. Don't forget to format the last draft! Last, if you're unsure about how to structure your paper, you can depend on essay templates. Remember that you could count on our professional essay writers and editors who can assist! Instead, start when the assignment is given so that you are able to have ample time to select a topic, do your research and produce the last draft. If you are not sure about which topic to pick for your religion paper or you merely lack the motivation to compose an outstanding paper, you should entrust your assignment to our proficient writers. Science and Religion Essay Topics Ideas With all these alternatives to explore, it can be very overwhelming to choose 1 topic for your paper particularly if your instructor has given you an open-ended sort of assignment. Your day is going to be filled with many pursuits that may limit your concentration on your essay projects. Normally, students underestimate the significance of topic selection, and they don't choose a worthy idea. Due to the sum of pre ssure, a few of the students are under they get too nervous and they're not able to submit their work in time. Religion isn't scientific. When writing an essay on religion, the first thing to put in mind when approaching it is to understand that it is a unique discipline unlike other studies such as science. Science and religion are two elements of life. In the past ten years or so, there's been a resurgence of the concept that science and religion are in fundamental conflict together. In the present error where a growing number of students are opting to be in the industry of science, it's inevitable that they'll write an essay. Science examines the actual world. Science is a discipline that works to understand the physical world and it's good at that. If you're undertaking political science, you are quite lucky because this training course is extremely debatable nowadays. Likewise a wonderful scientist never plans what he is all about to discover. In spite of popular opinion, one certainly doesn't have to be an atheist to be able to be a scientist. Carry out as much research as possible, you wish to look like someone who is aware of what they are speaking about. In reality, science alone cannot offer peace and happiness to mankind. Science and Religion Essay Topics - Dead or Alive? There isn't any real antagonism between them both. It's the perfection of God's works they are all done with the best simplicity. On the surface of it, it appears difficult to locate a compromise between science and religion. Behind the surface of consciousness, an individual can opt to find God. However, in fact, it isn't that easy. Humans have a body in addition to a spirit. Employing both networks The researchers say humans are designed to engage and explore utilizing both networks.

Tuesday, May 5, 2020

TITLE Essay Summary Example For Students

TITLE Essay Summary When faced with interviewing a person about how he or she sees God and experiences Him, several people came to mind. The person I chose is my soon to be mother-in-law, Linda Barritt. As long as Ive known her, the love of God has shown through her and has been a tremendous influence on mine and many others lives. She was raised from birth in a Christian home, one of eight children. Her father was a preacher for as long as she could remember. Each opportunity her father got he would pile all eight children, plus he and his wife, into one car and travel hundreds of miles to preach the word of God. In this, her father taught her to be a servant of God and to trust God in all situations, big or small. Since the age of eleven, she has served Christ through her musical gifts and influenced others as musical leader to do the same. She got married at the age of sixteen to a young man of only nineteen years old, who was already pastoring his first church. Together they bore three children, whom they also raised to know Christ. Now they have two grandchildren and another one on the way. They have faith in their children that they will raise their grandchildren in a Christian home, learning to love Christ as their personal Savior.Before I decided to interview her, I thought of what her answers may be. Although I knew of her love for Christ, I wanted to know about her personal experience of God in a deeper sense. She told of one particular incident she recalled from the winter of 1978. It was a rainy night and she, her husband, and her three children were traveling home from St. Louis in a borrowed truck. They had all of their earthly possessions, including their car, in the back of this truck. Suddenly the truck started sliding from one side of the road to the other, and all Mrs. Barritt could say was Jesus, Jesus. The truck suddenly straightened back onto the road, and the entire family and all their possessions were saved from a possibly tragic ending. She had no doubt in her mind that the hand of God sheltered her family during this experience. She revealed to me that this was only one example of the many times that God revealed His miraculous power in her life. I went on to ask Mrs. Barritt how she got to know God and what her relationship was with Him now. She enthusiastically recalled, As a child my father was a minister and I heard the Gospel all my life. I decided at the age of seven or eight years old to dedicate my life to the Lord and to never turn away from Him. Today, she says that she has a very personal relationship with God that involves an intimate, one-on-one communication with Him, although she knows that there is definitely room for improvement on her part in her communication with the Lord. She said, I know there are days that go by that I dont talk to God as much as I should, but I just try to do better the next day.As I asked her what she thought would happen to her after death, a slight smile graced her face. She said, Ill be in a resting place until His Second Coming, and then God will send his Son to take me into His presence. There, I will spend eternity with Him. I will never have to cry again because there wont be any more sorrow or pain. Im looking forward to it. She said the one thing she would ask God when she got to heaven was, Why do good people suffer? This is something she never has understood, but she acknowledged, God has a reason for allowing the good people in this world to face hardship and pain.

Friday, April 3, 2020

Discussion on Poppers and Sobers View of Simplicity Essay Example

Discussion on Poppers and Sobers View of Simplicity Essay Poppers theory of simplicity is directly derived from his Falsification theory. To illustrate this we can say that; it is true that Popper decreed that the more falsifiable a theory was; the better the theory is, and the better it will be received. If this is true; it is then is stated that the degree that a theory is falsifiable should track the degree to which a theory is simple; so if this were to be true should then prefer the theories that are highly simple (and falsifiability). So if we were to place this Im a real life scientific setting we could say that; i) parrots are feathery or ii) all birds are feathery. Now according to Popper ii) would be a better theory in terms of falsifiability and in terms of simplicity, as; it is falsified by more types of findings, could be falsified by any sighting of a non feathery bird; and it is more simple as a parrot is less simple, as it is much more specific, than birds in general. In terms of the merits of Poppers theory, in a perfect Popperian world this theory of simplicity would make life for scientists quite easy as it is a part of his theory of falsification. Further more his description and application of simplicity makes a great deal of sense, in terms of relation to parts of falsification which are part of the modern scientific process, as complicated and convoluted are usually quite difficult to debunk (falsify). We will write a custom essay sample on Discussion on Poppers and Sobers View of Simplicity specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Discussion on Poppers and Sobers View of Simplicity specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Discussion on Poppers and Sobers View of Simplicity specifically for you FOR ONLY $16.38 $13.9/page Hire Writer However, take this illustration of a mathematical equation representing a scientific theory, adapted from Post (1969); we have theory a), which represents a linear relationship: y = 1. 5 2x; whilst according to theory b) y = 1. 5 2x + 0. 32. Now according to Poppers falsifiability criteria of determining simplicity; the two theories of are equally as simple (since each can only be falsified by one occurrence). This leads to an automatic counter-intuitive result, which leaves the theory high and dry, as they are clearly not at the same level of simplicity. Sobers view on simplicity goes something like the following; instead of, unlike most who have tackled simplicity, relating simplicity to the correctness of a given theory, sober makes an attempt to relate simplicity to the informativeness of a theory. So what this essentially means for the premise of a simplicistic theory, is that simplicity should be concerned with how much information a theory or phenomena gives us in relation to how many laws, or premises, we begin with. To illustrate this better it may be more prudent to discuss Sobers theory in relation to inputs outputs; therefor simpler theories would produce more outputs in relation to the inputs. Furthermore, a more specific definition of Sobers argument is that the simplest theory may be the most informative one. Sobers theory, to me, is quite bold and, excuse the pun, a very simple way of determining the simplicity of a scientific theory. Unlike Popper and Quinean philosophy, Sober theory seems to give simplictity a greater level of importance, as science is all about gaining information which this theory draws it wisdom from. However, the theory runs into problems quite early on. One major problem concerning Sobers theory is that he tries to relate simplicity on a wider ontological level; which leaves me wondering; if we were use the theory that gives the most information, even if it was false, we would be in the position of having to accept it, and then gaining useless knowledge. If we were to assume that the problems that each theory faces never occurred, the theoretical virtue of Sobers simplicity, is that simplicity is directly influenced by the amount of information a theory has put into it, and outputted from it. Poppers theoretical virtue is the simplest theory is better, as a simple theory is easier to debunk and increases its falsifiability (as it doesnt possess any ad hoc escape routes). Personally I am more greatly drawn towards Sobers take on simplicity, as science is directly concern with the pursuit of knowledge, meaning that his criteria which determines whether a theory if simple or not is more logical. I feel that Popper, whilst does a good job of keeping the his theories in unity, necessarily approach the problem correctly whilst falsification seems to a vital piece of good scientific methodology, I cant quite see the connect between it and simplicity.

Sunday, March 8, 2020

Definition and Examples of Platitudes in English

Definition and Examples of Platitudes in English Definition A platitude is a trite and obvious observation, in particular, one thats expressed as if it were fresh and significant. Adjectives: platitudinous and platitudinal. Verb: platitudinize. A person who habitually uses platitudes- or clichà ©s- is (among other things) a platitudinarian. Platitudes can be instruments of gentle criticism, says Karen Tracy. Platitudes are  especially useful in the context of public argument, for they promote the sense that a speaker is addressing a policy concern rather than actually criticizing or attacking a person (Challenges of Ordinary Democracy, 2010). Etymology: From Old French, flat, dull Pronunciation: PLAT-i-tood Related Concepts Platitudes are similar to some other terms, but can also be mixed up with some of these terms. Some of the related concepts and language terms are: CatchphraseChunkClichà ©CollocationDead MetaphorIdiomPet PhraseProverb Examples of Platitudes Youre as young as you feel.Crime does pay.It doesnt matter what youre doing, as long as youre having fun.Love will always get you through.Crime doesnt pay.He/she who laughs last, laughs best.Everybody needs somebody.Alls well that ends well.Honesty is the best policy.Life begins at 50 (or 60).Its okay to be silly.You have to act your age.Acting your age is for old people.Love what you do.Do what you love.The secret to a long life is doing what you love.Who cares what other people say? Observations About Platitudes There are already some four-star platitudes on the list, some old sayings, some repeats, and a few opposing ideas. (Jay Douglas, Stalking the Story. Alpha Books, 2011)His subjects are intriguing, but Coles is embarrassingly conventional and unreflective. He writes in platitudes (about lifes ironies, the dilemmas of our time, the richest nation in the world, peoples darker side, Freuds superior cast of mind, etc.). (William White, The Library Journal Book Review, 1975)He was fond of thinking in platitudes- but to him, all platitudes were profound and had the freshness and vigor of original thought.Like bubbles, he said to himself, human life is as momentary as a bubble.(Khushwant Singh, Posthumous. Not A Nice Man To Know: The Best of Khushwant Singh. Penguin, 2000)Everybody can repeat the platitude that the mob can be the greatest of all tyrants. But few realize or remember the corresponding truth which goes along with it- that the mob is the only permanent and unassailable high pries t. (G.K. Chesterton, Charles Dickens: A Critical Study, 1906) Anti-Intellectualism in Politics: Inspirational Platitudes and Partisan Punch Lines Instead of bringing arguments to the public deliberative sphere, [American] presidents are increasingly inclined to declare and assert, offering us a predictable inventory of inspirational platitudes and partisan punch lines. I turn first to George W. Bush and his use of inspirational platitudes as an instance of argument by declaration, then to Bill Clinton and his use of partisan punch lines as an instance of argument by assertion. It may appear at first glance that these two anti-intellectual strategies are polar opposites of each other. Platitudes articulate the obvious and are therefore assumed to be universal, while partisan punch lines are strategically one-sided and therefore particular. Both, however, are united by their rejection of the weighing and judging of reasons. Both are proffered as foundational beliefs that cannot be argued for or against. Self-evident truths can be declared without justification, just like partisan punch lines are asserted strategically to preempt consideration of the other side. Both paradoxically transmit ambiguous meaning in categorical language. Indeed, that is why partisan punch lines are often dressed up in the ambiguous language of platitudes. Phrases such as liberty, support our troops, and freedom in Iraq are often deployed as coded conservative punch lines delivered as creedal platitudes that cannot be denied, while fairness, universal health care, equal employment opportunity are the liberal analogs of projects that are self-evidently unobjectionable. (Elvin T. Lim, The Anti-Intellectual Presidency: The Decline of Presidential Rhetoric from George Washington to George W. Bush. Oxford University Press, 2008) The New Rhetoric of Civility The new rhetoric of civility misunderstands the role of argument as a social and socializing process. In so doing, it dissuades the public from embracing and refining argument as a means to achieve civility. In seeking a cure to incivility, todays discussions have characterized argument as a disease, when its cultivation might actually offer the most efficacious cure...If we fail to redeem ourselves through rhetoric, we condemn ourselves to recycling platitudes about civility. And through those platitudes, the new rhetoric of civility will continue to perpetuate the very stereotype about argument that, ironically, have led to todays calls for civility.(Rolf Norgaard, The Rhetoric of Civility and the Fate of Argument. Rhetoric, the Polis, and the Global Village: Selected Papers From the 1998 Thirtieth Anniversary Rhetoric Society of America Conference, ed. by C. Jan Swearingen and Dave Pruett. Lawrence Erlbaum, 1999) Platitudes in Drama That an idea is not available dramatically until it has become a platitude is itself one of the most platitudinous of dramatic platitudes. But there is a considerable difference in the mere availability of a platitude and the conversion of the platitude into lively and engaging drama. Good drama, in point of fact, consists in so veiling a basic platitude with the vari-colored gauzes of imaginative beauty that it shall be but vaguely perceptible to those who give it eye and ear. The greater the dramatist, the more successful he is in deceiving his audiences as to the existence in his work of the platitude. He is, in a way of speaking, a prestidigitator of platitudes: one whose infinite legerdemain of metaphor, fancy, wit, and surface originality is successful constantly in making the ever-present platitude seem to disappear. (George Jean Nathan, Materia Critica. Alfred A. Knopf, 1924)

Thursday, February 20, 2020

Science - Assessment and Transition from KS2 to KS3 Essay

Science - Assessment and Transition from KS2 to KS3 - Essay Example Formative assessment requires the teacher to feed back to the students’ information that provides the students with opportunities to improve on their learning, or that encourages the students to reflect on their own learning (Black & Williams, 1998). In contrast to summative testing, which occurs with standardised tests, formative assessment provides in-depth, immediate and contextualised information about a student’s level of knowledge and their understanding of a particular topic (Bund & Falchikov, 2004). The reflective and engaging nature of formative assessments supports teachers in becoming better assessors, and to focus on the quality of a student’s learning and understanding, rather than the quantity of work they have undertaken (Williams, Lee, Harrison & Black, 2004). The sole use of summative testing results in teachers being ignorant of the true understandings, strengths and weaknesses of their students. Formative assessment can aid in narrowing the gap between high and low achievers in the classroom (Black & Williams, 1998). The use of formative assessment requires a learner-centered approach to teaching, as the student is the end user of the assessment information (Bund & Falchikov, 2004). Effective formative assessment focuses on feedback regarding scientific tasks, and not the student. Hence, feedback focuses on the particular qualities of the student’s work, with suggestions for improvements, and without comparisons to classmates (Black & Williams, 1998). The ideal form of this requires that the student develop the ability for ‘self-assessment’, which allows them to demonstrate their understanding of the goal of the task and their learning (Williams et al., 2004). The KS3 teacher could utilize formative assessment strategies to determine the level of knowledge and understanding of science for student’s at the beginning of the year. Procedures for self-assessment, or peer-assessment, could include the use of ‘Traffic Lights’

Wednesday, February 5, 2020

Nursing Infomatics Assignment Example | Topics and Well Written Essays - 2000 words

Nursing Infomatics - Assignment Example Nursing informatics is concerned with the question, "How many times does a nurse have to click a mouse" (Giannini, 2010, p. 1). The need for nurses to be technologically savvy is more important than ever. Nursing informatics can help patients receive a better quality of care. Nursing informatics includes "how nurses gather and record information tohelp improve patient health care" (Giannini, 2010, p. 1). What does nursing informatics include Nursing informatics includes: "implementation of information technologyoptimizing information management and communication[and utilizing] electronic records" (Giannini, 2010, p. 1). Why is this included in the curriculum Nursing informatics should be included in the curriculum because all nurses in practice today should be familiar with how to use technology in the workplace in order to help their patients and make everyones' lives more efficient and easier. Whether it be use of an IV pump or an electronic thermometer, every technology makes things easier for the nurse and the nurse is always going to encounter technology on-the-job (Giannini, 2010, p. 1). This makes the necessity of including informatics in the nursing curriculum even more important. As technology changes, so does the field of nursing. ... 1). This makes the necessity of including informatics in the nursing curriculum even more important. The good informatics nurse "understands theory, implementation, [and] evaluating outcomes" (Giannini, 2010, p. 1). This is what the curriculum will teach the nursing student. As technology changes, so does the field of nursing. Although there is no way to predict what the future holds in technology, the role of the nurse in informatics is to continually be attempting to bridge the gap between technology and clinical practice, communicating with both arenas (Giannini, 2010, p. 1). So what lies in the future The future of informatics is to create a more efficient health care system with information technology, specifically: systems that are multi-layered so there are no separate electronic charts; synthesization and interfacing systems which are seamless; basic language within a unified system; and best practices in informatics (Giannini, 2010, p. 1). How can one expect a nursing student to benefit from taking this course The answer is simple: patient care will be improved. As one nurse said it best, "The more we have at our fingertipsthe better we are going to be able to take care of that patient" (Giannini, 2010, p. 1). C. How this Course Fits with the Philosophy of the Nursing Program and College as a Whole. Nurses today must be trained so that they are competent when they go out into the field. Nurses are often the "liaison between information technology and real nursing" (Giannini, 2010, p. 1). In order that competent nurses are trained properly with regard to technology, all nursing curricula should include a course on nursing informatics. A competent individual in nursing informatics is

Monday, January 27, 2020

Karen Newman Othello Criticism

Karen Newman Othello Criticism In her 1987 article And wash the Ethiop white: femininity and the monstrous in Othello,1 Karen Newman sets out re-examine prior critical analysis of Shakespeares Othello with the goal to re-read Shakespeare in ways which [] contest the hegemonic forces, [his] plays at the same time affirm (158). Her argument scrutinizes the the male-dominated Venetian world (152) of the play and the criticism that it has generated against correlating historical perspectives. Her main thesis about the play asserts that the union of Desdemona and Othello represents a sympathetic identification between femininity and the monstrous which offers a potentially subversive recognition of sexual and racial difference. Employing a feminist approach Newman reveals the racial and gender prejudices inherent both in the play and the critique levelled at it from 1600 through to 1980. In seeking new ways of reading Othello Newman draws on Derridas poststructuralist ideas to establish parallels between the relationsh ip of gender and race. She contends that Desdemona and Othello are equally marginalized by Venetian society; Othellos race and Desdemonas progressive sexuality presenting equivalent risk to the dominant white male society. In verifying how these attitudes pervade the play itself, Newman points out that fear of miscegenation functions on two levels. Firstly Shakespeare uses the white mans fear of the union of black man and white women (144) to generate the plot, and secondly through the binary opposition of black and white characteristic of the plays discourse. To substantiate she quotes from the play: Black ram tups white ewe and O, the more angel she, And you the blacker devil. The last line illustrates what Newman terms rhetorical miscegenation. Outlining the frequency with which black and white were used to denote polarization during the Renaissance, (145) she comments on how the emphasis in Othello of Desdemona as the idealisation of fair female beauty is usually read to emphasise the contrast between these two characters, and declares that contrary to early critics she views Desdemona not as a representative of opposition to blackness and monstrosity, as black is to white, but as identifying with it. Newmans assertion that the play is structured around a cultural aporia, miscegenation is the first cornerstone of her argument. Newmans next device is to establish a link between femininity and the racial attitudes inherent in the play. Again she refers to Ridleys criticism, claiming that his choice of example portrays a generalization of women as petty, thereby confirming his gender prejudice. Ridley has displaced the struggle of white against black man onto a cultural femininity. Newman is sympathetic to Stephen Greenblatts (1980) view that Othellos identity is reliant on his loss of his own origins, an embrace and perpetual reiteration of the norms of another culture, but criticises this focus as failing to recognise the other as black and female: Othello internalises alien cultural values, but his otherness remains apparent, dividing him from that culture and thereby linking him to the plays other marginality, femininity. Newman claims critical considerations with regard to the symbolic significance of the handkerchief reflect gender prejudices. Reigning critical preoccupations result in the significance of the handkerchief being limited to a sign of adultery. Contrasting this she terms the handkerchief a snowballing signifier, acquiring figurative and literal meaning as it passes from hand to hand. Newman contests psychoanalytical readings as problematic since they privilege a male scopic drama casting the women as a failed man once again negating her otherness and limiting female sexuality to fetish. (156) Identifying racial attitudes as inclusive of attitudes towards black sexuality, Newman references popular travel accounts of the time, outlining African as presented descriptively [] but also mythically (148) concluding: always we find a link between blackness and the monstrous, and particularly a monstrous sexuality. These attitudes Newman asserts assimilated into the drama of early modern England. (149) Newman observes the portrayal of Desdemona as voracious and devouring with a greedy ear; threatening to masculine perceptions of femininity. Her desire is presented in terms of an aural/oral libidinal causing Othello anxiety. Newman sees this anxiety as having a duel source the monstrous difference it invokes against his adopted culture, and that it allies her imagined sexual appetite with his own. Othello and Iago are linked in representing white male sexuality in the play. Simultaneously and paradoxically Othello also represents the threat to it. Newmans investigation of historic al criticisms surrounding femininity as represented by Desdemona, uncovers several ironies. Rymer and Cinthio in a cautionary moral link Desdemonas social disobedience to her sexual duplicity. Othellos punishment of Desdemona however simultaneously confirms the cultural prejudice which labels him a monster. In addition Iagos dramatic construction which leads Othello to see Desdemona as a whore, demonstrates how theatrical representation can provide false influence. Newmans undoubtedly subscribes to a feminist school of criticism, seeking to expose the nature of gender inequality and opposing the inherent male hegemony represented within the play. In addition, by her own account, her reading is also political in that it exposes the ideological discourses which organise the text. She comments that poststructuralist approaches highlight that even highly formalist readings are political, inscribed in the discourses both of the period in which the work was produced and of those in which it is consumed. Newman references Derridas work on racism and in addition to employing deconstructionist discourse his influence can be seen in Newmans design. Recognizing the binary opposition denoted by the polarization of Othellos blackness and Desdemonas whiteness, Newman develops this to assimilate the implied opposition of monstrosity or miscegenation represented by Othello and femininity represented by Desdemona. Deconstructive discourse incorporates the notio n that difference exists both between signified and signifier, and at the same time that the signified defers meaning to the signifier. The role of the literary critic is seen as seeking a slippage in the text, thereby denoting duplicity and revealing how the internal linguistic and thematic rules are inexact. Newman finds this critical slippage in both Rymers Short view of Tragedy (1693) and again in Ridleys criticism 250yrs later, to be the lapse from blackness to femininity. (155) Newmans approach offers new and valuable insights through its address of past criticisms, detailing not only how they relate to the ideology of the time they represent, but also illustrating how criticism in itself can be read to demonstrate new ideas and ways of reading the play. Her analysis however, places its emphasis on the Desdemonas interracial relationship with Othello and how her disobedience to her father and her choice of black man threaten the prevalent white male hegemony. Newman does not address other characters marginalised through class distinctions and gender. One such relationship is that between aristocratic Cassio and the courtesan Bianca. The secret nature of their liaison is both essential to the plot but also preserves Cassios social standing. Cassio treats Bianca with little respect scorning her foolishness in loving him. Cassio, Iago and Brabantio all share a mutual sexist prejudice in a similar way to the racist disdain which shapes their worldview. Othello can be seen to be outside this racial bigotry but Newman does not address the question of whether he accepts the central stereotyped perception of women. Newmans outline of historical womens roles focuses solely on a westernized version of society and does not address the way in which women were historically regarded within non-westernized cultures. Hinging on the underpinning social apprehension with regard to miscegenation, Newmans argument takes it lead from Bennetts notion that the position a text holds within relation to the ideology at its origin is not necessary an indication of the position which it may subsequently come to hold in different historical and political contexts. Some critics however claim Newman is anachronistic, applying modern concepts of racism historically. Shakespearian audiences would have understood race in a totally different way to contemporary audiences. It would then follow that Newmans application of contemporary ideas with regard to other cultural constructs such as gender would be equally out of place. Acknowledging that Shakespeare was certainly subject to the racist, sexist, and colonialist discourses of his time, Newman declares that by making Othello a black man and through Desdemonas love for him, Shakespeare stands in a contestory relation to the hegemonic ideologies of race and gender i n early modern England. Newmans argument is detailed and engages the play against historical points of view, addressing feminist issues and at the same time employing poststructuralist thinking to achieve her goal of establishing a link between femininity and race. Newman sees such strategies of reading as a social responsible in that they illuminate artificial enactment of works which may falsely represent those marginalised groups standing outside culture and simultaneously within it. This representation she sees as being obscured by the immediacy of dramatic performance. Her analysis of Othello is a demonstration of how seamlessly racial attitudes in early English drama where transmitted to viewpoints surrounding gender and sexuality, illustrating how mutually constitutive race, gender, and sexuality can be.

Sunday, January 19, 2020

Normality in Subcultures :: Sociology Sociological Papers

Normality in Subcultures My family's subculture in a larger subculture Once you are born, you become a part of a larger group. You will grow up starting at a point in your parent's life and then over time they or even you will change the direction of your families subculture in whatever country you all live in. In America, People strive for the best. Not all get it, but somehow or someone will push that family into a situation where they can move up in the world. Over the years America has came to a point where most jobs pay well and mostly anyone can be considered a middle class resident. In America this is considered normal to the general public. Being normal and striving to be normal is the focus most people try to reach within their lifetimes. Normality is a subculture in itself. My family wasn't always an upper middle class family. Starting with my grandparents, my mom's mother named Bonnie Langdon. She lived in what is a now West Bloomfield in Oakland county Michigan. She was a sister to 9 siblings and she attended a One-room schoolhouse. Bonnie's mother Betty Worked in the post office for 30 year and her father Harry drove an oil truck for about the same amount of years. They were mostly lower class but they did manage to get themselves more towards the middle class. Over the years bonnie my grandmother graduated from high school and started to work for Pontiac motor, which moved Bonnie up tom middle class. She met my grandfather Names Fred shortly after and married. My grandfather grew up in Redford Michigan with 3 other siblings. His mom was named Pearl and his father was named Fred. His mom was from Canada who liked to hold old traditions such as eating soft-boiled eggs and drinking tea for breakfast. My mother remembers That Pearl would make her eat them each time she came over and she hated them. Pearl was a housewife and his dad worked as a carpenter. His dad Fed worked with Henry ford the man. His father was the personal Carpenter for Henry ford. Over the years my grandfather graduated from High school in Redford and started to work for the Oakland county Road commission. Over the years Bonnie and Fred had a higher class than there parents and they became the norm in the family. After Bonnie Langdon and Fred wood met they married and had one daughter names Janet, my mother.

Saturday, January 11, 2020

Expository Essay

Expository Essay Some memories are joyful, while others are quite sad, and then the bittersweet moments are a combination of both. These bittersweet memories are often memorable and one that stays fresh in my mind is the coming and going of my Golden Retriever puppy, Chance. I was overjoyed when we first got him and couldn’t have been happier but his death was unpleasant and left me with a bad taste in my mouth for weeks to come. This whole experience taught how to appreciate what I have because you don’t know what you got till it’s gone.One of the most memorable and impactful memories of my life happened when I was just six years old. It was a chilly day in mid January as I cheerfully scampered off the school bus to dash inside and be greeted by a mug of hot chocolate and warm cookies. I was clumsily toying around with Legos while waiting in anticipation for my dad to get home. The moment I saw my dad walk through the door I darted down the stairs and was shocke d to see him holding a large, mysterious cardboard box.He informed me that contained inside were loads of cupcakes he had gotten from work, but to my surprise when I looked inside I saw a tiny little puppy bundled up in blanket sleeping on the base of the box. I was thrilled at first but soon after my hopes were crushed when I realized this little dog had fatal cancer and only had a short month to live. Due to his horrible condition we named him Chance for his perseverance to survive such a sickly Herring 2 disease. My roller coaster experience with him helped to mold me into the person that I am today.This memory is so important to me because Chance was the first pet I had ever had the opportunity to call my own and I had also desired to own a puppy ever since I was a baby. Over a short time Chance and I had developed a strong bond from racing around the house and bounding around in the fresh snow. This connection we shared showed me how important companions were and how much I enj oyed having them around me. After a few weeks of living with him he began to show signs of weakness. He would sometimes stumble while walking and even vomit after eating a meal.I was feeling miserable to see him experiencing this pain so our family had to make a decision. We came to a general consensus that it was time to put him down. After a lot of shed tears and heartache I began to understand the situation in a different light. I had begun to realize life ends and living things don’t last forever. I really appreciated chance for what he was and dearly missed him. The great memories with Chance still remained and helped me to cherish his existence even more. Overall this memory taught me how to enjoy what I have and be grateful because I may blink and not see it ever again. Expository Essay

Friday, January 3, 2020

Similarities Between Christianity And Islam - 993 Words

Christianity and Islam are the two biggest religions that are present in the world today, with close to four billion followers combined. While Christianity and Islam actually have a lot more in common than most people think, there are still many differences to them. First, let’s start with the similarities between the two. Both religions believe that in one way or another, Jesus will return to Earth in the final days of the world to have a judgement day, in which essentially will determine if you go to heaven/paradise or hell, as both accept the fact that there is life after death, just different views of what exactly they think that life is. In addition, both Christianity and Islam believe in prophets, they both say that God sent prophets such as Moses, Noah, Abraham, and others. Another point is that both religions believe in the sovereignty of God. In both Christianity and Islam, God itself is the highest power there is, he is the sole creator of everything and that the wor ld that we live in is exclusively dependent on him and him only. One of the last similarities I’d like to note, and perhaps maybe the most important to some, is that both religions believe that there is just one supreme God over everything. Christianity, the followers of this religion, called Christians, use the Holy Bible and generally worship in churches or cathedrals. Christians believe in a soft monotheism and the Holy Trinity, which is where Christianity differs from Islam in that department, asShow MoreRelatedSimilarities Between Christianity And Islam1316 Words   |  6 PagesIn today’s world, the largest religion is Christianity with a 33 percent and Islam coming in second place at around 21 percent. According to the article A Common Word between Us and You Both religions make up around half of the population around the world. Islam and Christianity are collectively known as Abrahamic religions because they trace their history to the covenant God made with Abraham in the Hebrew Bible. Christianity and Islam are two of the fastest growing religions, and they bothRead MoreSimilarities Between Islam And Christianity997 Words   |  4 PagesIslam and Christianity are two largely wide spread religions in t he world that have a great impact on their followers, especially in a spiritual manner. Because of originality, values, and unique believes in each religion, their believers respect and try to comprehend each other’s faith. With Christianity’s record 2.2 billion population and Islam’s impressive 1.6 billion population, they both form the bases of their countries laws and are recognized by governments all around the world. Even thoughRead MoreSimilarities Between Christianity And Islam1427 Words   |  6 PagesChristianity and Islam share much common ground. They trace their origins to Abraham; believe in prophecy, apostles, revelation, scripture, resurrection, and life after death. Christianity and Islam have related theological traditions; believe in one omnipotent God who is concerned with human salvation. Both religions are somewhat similar in how they embrace their beliefs; what the church is to Christianity, the umma is to Islam. Notwithstanding these impo rtant similarities, however, these two worldviewsRead MoreSimilarities Between Christianity And Islam1088 Words   |  5 Pagessignificant historic province where it served as the birthplace for many beliefs and religions such as Christianity and Islam. Within 600 CE to 1250 CE and 1st century to 1000 CE, Christianity and Islam began to spread. The two leading religions were very apparent in their belief in God and worship. As we seek to understand the Christian and Islam beliefs, it is important to be familiar with both the similarities and differences in the early years. The thought of death may terrify most of us, but to thoseRead MoreSimilarities Between Christianity And Islam1409 Words   |  6 Pages Christianity and Islam were both spread in socially and economically similar and politically different. They both had an important people that role and spread of the religions. Christianity included the individuals of who believe in Jesus Christ. Christians are the flowers of the Christ who often believed is the son of the God (â€Å"the father†); Christians strongly believe that Christ will return after the next life; the end of the world. Islam consists of individuals who believe in Allah, the godRead MoreSimilarities Between Christianity And Islam1005 Words   |  5 Pages Compare and contrast ancient Christianity and Islam. Christianity and Islam are both closely related religions, because they are branched of Abraham and other patriarchs mentioned in Hebrew Scriptures. Examples of these books are the Old/ New testament and the Quran. These books serve as their spiritual ancestors and are also know as Abrahamic religions. Although these books have a massive amount in common the clash of these two religions has caused for a mass crimes and violence across humanityRead MoreSimilarities Between Christianity And Islam891 Words   |  4 PagesChristianity came about 2000 years ago and was founded by Jesus Christ. It is mostly practiced in the Western world with a population of about 2 billion people. The name Christianity came from a Greek word ‘Christos’ meaning Jesus Christ and was founded between 4 B.C. and 30 A.D, and consist of the 3 major groups which are the Roman Catholic, Protestant and Orthodox. Islam on the other hand was founded about 1400 years ago by Muhammad in 600’s A.D. The word Islam is derived from an Arabic word forRead MoreSimilarities Between Christianity And Islam1332 Words   |  6 Pagesreligion has its own goal, and their own path and belief to reach their goals. However, there are many similarities in beliefs. Although the followers of Judaism, Christianit y, and Islam may see things differently, they all fundamentally hold the same values and codes. To Islam, the Prophet Mohammad’s teaching is a complete and final revelation. On the other hand, according to the bible, Christianity believes that Jesus Christ is the true lord and savior that will grant you the access to heaven in theRead MoreSimilarities Between Islam And Christianity1928 Words   |  8 Pagesget punished for practicing religion. The two religions bear some superficial similarities, the differences between the two religions is clear though. How the two religions practice their beliefs, the population, beliefs, and how they view â€Å"Jesus† are different and similar. Although the two religions are very different from each other, they also show some similarities. The main similarity is that Islam and Christianity both are monotheistic; meaning they believe in one god. Which are 2 out of theRead MoreSimilarities Between Islam And Christianity1619 Words   |  7 Pagessimilar beginnings, Islam is a religion of violence and Christianity is a religion of peace and therefore is more beneficial to society. It is important to understand the similarities between Islam and Christianity, specifically their origins, to better understand their differences. Islam is believed to have been started through the descendants of Abraham, a man who was considered a prophet of God in both Islam and Christianity. Many historians and theologians agree that Islam began through the lineage